“I also found that if I listened to Japan X while typesetting, my fingers flew over the keyboard, which helped tremendously with keeping my daily page count high.”įor Kotani, who has been reading manga since she was 10, translating was a new experience “When translating and editing it yourself, you end up thinking of all the possible ways what is written can be expressed in English,” she said. “I was cheered on not only by my husband and children, and friends, and neighbors who heard I was doing it, but online fans and friends who tweeted encouragement and helped me overcome moments of funk,” she said. That was certainly true of Kotani, who put every spare moment into her first book.
“I can tell they are willing to work hard.”
#Dmg emanga professional#
“The group reps are extremely professional and they are very quick to respond to our inquiries,” she said.
#Dmg emanga how to#
“The biggest challenge was trying to establish the workflow-contracts and taxes (Accounting), assignments and digital data access/information (Production) and when and where to sell these finished products (Sales and Distribution)-we didn’t know how to get all three departments to work together!” Eventually, they figured it out, she said, and so far, no one has turned down any assignments. “I’d be honest, it was a bumpy ride at first,” said Tanigaki. “We are not particularly happy about some people who are overly cautious about legal issues in the contract and we usually prioritize those who just want to do it and see how it goes.” “Some are serious-minded and some are just checking in,” he said. Sasahara estimates that only 30% of the 1,300 people who signed up for the Digital Manga Guild passed the test and were qualified to do the work. Hiring non-professionals has presented some challenges for DMP, however. While she is new to manga publishing, she is an experienced freelance editor and writer, and she was able to turn the book around in 24 days-and, Tanigaki said, “She’s done an awesome job, too!” Her son is now learning it as well, and her family speaks Japanese at home as much as possible. Kotani picked up some Japanese as a child from the families of Japanese friends, and she began studying the language in earnest when her daughter, whom she homeschooled, asked to learn it.
#Dmg emanga license#
publisher must pay a license fee to the Japanese licensor and pay the costs of translation, editing, and lettering before the book is released. This is in contrast to the usual way of doing things, in which the U.S. No one is paid up front the manga is published digitally, and the DMP, the licensor, and the localization team all share the proceeds once the book starts to sell. The DMG is an attempt to speed up the manga pipeline by sending out numerous books simultaneously to groups of non-professional translators.
Each team is paid 12.5% of the proceeds from the books they work on, and they divide the earnings equally among all members, Tanigaki said. While most of the Digital Manga Guild teams have three members, Tired of Waiting for Love was localized by a single person, who goes by the pen name "Kimiko Kotani." Marketing director Yoko Tanigaki said that one-person teams are rare in fact, some teams have as many as nine members, three in each job, so they can get through the books more quickly. And that’s only the opening volley: DMP CEO Hikaru Sasahara said that his goal is to release 50 to 100 digital manga per month, which would make DMP by far the most prolific manga publisher in the U.S. This is just the first of 54 titles that are in the process of being translated, edited, and lettered by 18 different localization teams. Digital Manga Publishing's experiment in fan translation, the Digital Manga Guild, is about to bear its first fruit: DMP will release Tired of Waiting for Love, a one-shot yaoi manga, online on its website and eventually via other digital channels as well.
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